Robbie Spotswood

This series sets out to examine our relationship with photography through the appropriation of a family archives. The images build up a pseudo self-portrait. In the context of a photo-book, the portraits and snap-shots become documents as the condition of the photograph can be just as revealing as the content.

The use of intentional and accidental photographic tropes is emphasised and personal relationships, fashion, the use of personal items and documentation of events are used to contribute to a political narrative.

The sequence of images juxtaposes portrait artists’ version of reality with posed home photos and candid snap shots; this highlights the romantic vision we aspire to and what each individual attempts to manifest and perform for the viewer, communicating the best version of themselves. Although there is a clear attempt to collect only positive memories, candid photographs create cracks in this facade and the viewer is able to see a glimpse of what wasn’t photographed.